假声男高音(共3篇)

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假声男高音（一）:

作文:声音的争吵 关于几种声音的争吵

声音的争吵
周佳莹
今天声音王国举办了一场盛大的舞会,要选出声音王国最美的声音.邀请各种声音参加,女声小姐穿着漂亮的晚礼服,男声先生穿着整齐的西装,假声女士穿着穿着两种不同颜色的衣服来······由声音国王做主持.
三种声音一碰到面,女声小姐就用温柔的嗓音唱起了一段优美的歌曲,那歌声真美妙,就好比天籁,许多女士先生们听了自愧不如,可是男声先生很不服气,他用他那雄浑有力的男高音,唱起了《音乐之歌》,那声音似乎响遏行云了,就连国王也被震撼了,国王拍手叫好.接着假声登场了,她那晶亮透明的歌声吸引了在场的观众.
这时候,声音国王有点混乱了,它觉得它们的声音都好,它不知道要选谁为最美的声音,观众们大声呼喊着女声,男声,假声的名字,女声小姐站了出来说；‘‘当然是我做好了,我的声音是那样的婉转,优美,轻快,选我是做理智的选择.’’女声的粉丝们大喊着；‘‘女声,女声,你是最美的.’’男声也站了出来说；‘‘我的声音能使山峦河流都停下来.当然应该是我.’’假声跑上了台说；‘‘我可以掌握你们的声音,我拥有许多声音,所以我才是最美的.不对
舞台上,三种声音吵的不可开交,各说各的,声音国王也没办法,最后声音国王想了一会,严肃的走到讲台前,扯了扯领带,说；‘‘由于大家各有各的特色,各有各的不同,各有各的本事,所以我宣布,声音王国最美的声音就是我们声音家族的每一位成员.’’
国王说完后,举国欢呼.

假声男高音（二）:

请问音乐专业名词中,那些a2、b2之类的是什么意思?
几天前心血来潮想测音域,但我对乐理知识这方面一窍不通……一方面是想问一下这些都是什么意思,还有一方面是想看一下自己的音域用这种字母数字怎么标注的（目测可以跨过四个八度左右,但是不知道具体是哪儿到哪儿……）,0【假声男高音】

楼主好,这个是基本的乐理问题
首先你可以知道搜索钢琴键盘在百度图片里面可以找到分组图
我们平时说的1234567指的是小字一组的七个白键
你的这个a2、b2指的是小字二组的6、7
当然如果音域能够达到小字二组的a已经是典型的男高音了
这个音是男高男中的分界线,也就是说男高的混声区
所以一般的这里也不好唱,再往高就要混假声了
所以你已经很厉害了,如果喜欢声乐最好让老师好好的培养一下你哦
还有什么不清楚的楼主可以再来追问
所谓的标准答案可能是不存在的
总有一个人知道你问题的答案的一部分
但是答案永远再生长,答案和答案之间,它会长出新的答案
知识是一个生命体,不管你是采纳知道的哪位答题者,真心希望您能采纳一位真正帮助到您的人.
祝福楼主万事如意,心想事成,合家欢乐!【假声男高音】

假声男高音（三）:

英语翻译
Jackson sang from childhood,and over time his voice and vocal style changed noticeably.Between 1971 and 1975,Jackson"s voice descended from boy soprano to high tenor.Jackson first used a technique called the "vocal hiccup" in 1973,starting with the song "It"s Too Late to Change the Time" from the Jackson 5"s G.I.T.:Get It Together album.Jackson did not use the hiccup technique— somewhat like a gulping for air or gasping— fully until the recording of Off the Wall:it can be seen in full force in the "Shake Your Body (Down to the Ground)" promotional video.With the arrival of Off the Wall in the late 1970s,Jackson"s abilities as a vocalist were well regarded.At the time,Rolling Stone compared his vocals to the "breathless,dreamy stutter" of Stevie Wonder.Their analysis was also that "Jackson"s feathery-timbred tenor is extraordinarily beautiful.It slides smoothly into a startling falsetto that"s used very daringly".1982 saw the release of Thriller,and Rolling Stone was of the opinion that Jackson was then singing in a "fully adult voice" that was "tinged by sadness".
"Black or White"
The lead single from Dangerous,the danceable hard rock song "Black or White" was one of Jackson"s most successful recordings.It contains many features of Jackson"s vocal style,including the vocal hiccup he is known for.
Gritty lead vocals on the verse were displayed by the release of "Bad" in 1987 and lighter tones employed on the chorus.A distinctive deliberate mispronunciation of "come on",used frequently by Jackson,occasionally spelt "cha"mone" or "shamone",is also a staple in impressions and caricatures of him.The turn of the 1990s saw the release of the introspective album Dangerous.The New York Times noted that on some tracks,"he gulps for breath,his voice quivers with anxiety or drops to a desperate whisper,hissing through clenched teeth" and he had a "wretched tone".When singing of brotherhood or self-esteem the musician would return to "smooth" vocals.
When commenting on Invincible,Rolling Stone were of the opinion that—at the age of 43—Jackson still performed "exquisitely voiced rhythm tracks and vibrating vocal harmonies".Nelson George summed up Jackson"s vocals by stating "The grace,the aggression,the growling,the natural boyishness,the falsetto,the smoothness—that combination of elements mark him as a major vocalist".

Jackson sang from childhood, and over time his voice and vocal style changed noticeably. Between 1971 and 1975, Jackson"s voice descended from boy soprano to high tenor. Jackson first used a technique called the "vocal hiccup" in 1973, starting with the song "It"s Too Late to Change the Time" from the Jackson 5"s G.I.T.: Get It Together album. Jackson did not use the hiccup technique— somewhat like a gulping for air or gasping— fully until the recording of Off the Wall: it can be seen in full force in the "Shake Your Body (Down to the Ground)" promotional video. With the arrival of Off the Wall in the late 1970s, Jackson"s abilities as a vocalist were well regarded. At the time, Rolling Stone compared his vocals to the "breathless, dreamy stutter" of Stevie Wonder. Their analysis was also that "Jackson"s feathery-timbered tenor is extraordinarily beautiful. It slides smoothly into a startling falsetto that"s used very daringly".1982 saw the release of Thriller, and Rolling Stone was of the opinion that Jackson was then singing in a "fully adult voice" that was "tinged by sadness".
杰克逊从小时候就开始唱歌,时间一长他的声音和发声风格都发生了显著的改变. 在1971年到1975年间, 他的声线开始由男童音转向男高音.1973年他在“杰克逊五小子”的专辑《无法分离》中演唱了“一切已晚”,并由此首创了“间断发音”的杰式唱腔.但是直到《离开大墙》专辑的“（彻底）摇摆身体”的歌曲升级视频中,杰克逊才开始充分发挥这种有点类似于大喘气的间断发音技巧.随着20世纪70年代《离开大墙》专辑的发表,杰克逊的歌手天分逐渐被外界看好.在那时,《滚石杂志》将他的声音比作史蒂夫旺达般“令人窒息的,梦幻般的假音”.他们还说“杰克逊羽毛般丰满的高音犹如天籁,他能自如的使用假音并大胆的应用它.”1982年人们见证了《颤栗者》的成功,《滚石杂志》表示那时杰克逊的声音已经“完全成人化了”并且隐含着“淡淡的忧伤”.

"Black or White"
“黑与白”
The lead single from Dangerous, the danceable hard rock song "Black or White" was one of Jackson"s most successful recordings. It contains many features of Jackson"s vocal style, including the vocal hiccup he is known for.
《危险之旅》的主打歌,舞曲风格的硬摇滚“黑与白”是杰克逊最成功的歌曲之一.这张专辑里面,杰克逊充分发挥了自己的发音风格,包括世人熟知的“间断发音”.
Gritty lead vocals on the verse were displayed by the release of "Bad" in 1987 and lighter tones employed on the chorus. A distinctive deliberate mispronunciation of "come on", used frequently by Jackson, occasionally spelt "cha"mone" or "shamone", is also a staple in impressions and caricatures of him. The turn of the 1990s saw the release of the introspective album Dangerous. The New York Times noted that on some tracks, "he gulps for breath, his voice quivers with anxiety or drops to a desperate whisper, hissing through clenched teeth" and he had a "wretched tone”. When singing of brotherhood or self-esteem the musician would return to "smooth" vocals.
随着1987年《真棒》专辑的推出,人们见识到了沙哑的独唱主音和轻音合唱.其中,杰克逊把“Come on”这两个词特意发错音,拼成“cha’mone”或者”shamone”.后来人们把这两个词作为他的独特发明和特别标志.20世纪90年代,他发行了一张自省的专辑《危险之旅》.对此《纽约时代》评论道“他深吸一口气,他的声音随着焦虑颤抖又坠入绝望的低语,通过紧咬的牙发出嘶嘶的呐喊.”并且他有一副“令人苦恼的嗓音”.只有当唱到兄弟情或自尊心的时候,这位音乐家才会使用比较“柔顺”的嗓音.
When commenting on Invincible, Rolling Stone were of the opinion that—at the age of 43—Jackson still performed "exquisitely voiced rhythm tracks and vibrating vocal harmonies”. Nelson George summed up Jackson"s vocals by stating "The grace, the aggression, the growling, the natural boyishness, the falsetto, the smoothness—that combination of elements mark him as a major vocalist".
当评论道杰克逊在乐坛无人匹敌的地位时,《滚石杂志》表示,在43岁时,杰克逊仍拥有“精致的有声节奏音轨和颤音和声”. Nelson George 对杰克逊的声音如此总结道“优雅与狂野并存,咆哮与自然的少年音共进,假声与平滑共具——这些元素一起表明,歌手才是他的主职.”

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